安尚秀

韓國字體設計與平面設計先驅，1985 年以獨創的「安尚秀體」，帶來韓文字型設計的突破，深刻影響韓國書籍設計、字體設計、企業識別設計和海報設計等層面。是韓國首位加入國際平面設計聯盟 AGI 的設計師。曾獲：獲英國金士頓大學設計專業名譽博士、德國萊比錫古登堡獎、DFA 設計獎終身成就獎等。

Portfolio Review

Portfolio Review 為自由參加項目，需事先預約。本活動將能與PaTI 講師面對面展示介紹自己的作品集，並獲得寶貴的回饋，理解自己的創作歷程，為未來的創作開拓更多可能。學員可事先準備自己的作品集如繪畫、攝影、雕塑、新媒體、音樂、文字等，形式不限，必須為個人原創作品，建議以方便攜帶為原則。

工作坊①

Big Picture

講師 KIND b / PaTI Illustration Studio

作品的規模尺寸如何影響認知？當我們熟悉的物品形式，透過更大的尺寸表達時，看起來會變得特別不一樣。本工作坊帶學員體驗超乎想像的表達空間，當隻手可掌握的水杯，成為如汽車一樣大的物體，將改變創作者的觀點，並試圖運用全身創造各種質地。

“Scale works” Sometimes the size of the work plays a big role. The moment objects in a form familiar to us are expressed larger than their original size, they appear as a special ‘different’ from the familiar ‘it’. It is a story that the moment the cup I can hold in my hand looks as big as a large car, the audience can add a different meaning and let their imagination run wild, escaping from the function and context of the cup they are familiar with. Even from the point of view of the creator of the image, this seemingly simple transformation of the size leads you to an experience of greater expression than you think. The curved surface of the cup, which could be expressed with two or three snaps of the wrist, can now be realized only by using the joints and muscles of the entire body. The side of the cup, which used to be the size of my palm, which I used to tone with my habitual hand movements, becomes a vast space where I can roll my whole body to create a sea of textures.

工作坊 ②

Hangeul Letterpress

講師 Baek kyung Won

韓字凸版印刷，親身體驗傳統手工排字與印刷方法與相關準備工作，逐一處理每一個字母，進而瞭解字體設計的淵源和發展。透過類比排字練習，設計師能更加瞭解在數位環境中，難以體驗的字元排字原則和結構。

This old printing technologies will provide designers who are accustomed to the digital environment to handle lead type by hand and manual way of the traditional typesetting and printing method. It will give them a hands-on experience of the groundwork for understanding the origin and formative nature of typography. Through analog typesetting practice, the principles and structure of character typesetting, which are difficult to experience in digital work.

工作坊 ③

Sound

講師 Rémi Klemensiewicz

以「聲音」為主題，分成理論與練習應用兩部份，從歷史、技術面，到更抽象與哲學的面向，說明聲音在創作世界的角色，並瞭解聲音如何成為創作工具與素材。

This workshop is a general presentation around the notion of “sound” and its life in the world of creation. The different classes are dealing with theoretical themes going from historical and technical considerations to more abstract and philosophical ones. All along the classes, questions such as “Is sound an autonomous media ?”, “What is the status of sound and music ?”, will be asked and discussed. The classes are divided in different parts : the first one is theoretical and the second one is dedicated to practice and application, so the students can concretize the theoretical elements of the class and understand how sound can be a tool and a material for their own practices.

工作坊 ④

DADADA

講師 JAE OK LEE / Ingee Chung

本工作坊的目標是透過數位（D）與類比（A）、繪畫（D）與字母（A）、漂移（D）與定錨（A）之間的創作與實驗過程，同時運用數位媒材與類比工具，拓展學員的感覺與想法。課程將使用筆式繪圖機進行繪圖、書寫與圖像數位化。

This workshop is aimed to broaden their senses and thoughts through the process of creation and experimentation between digital (D) and analog (A), drawing (D) and alphabet(A), drift (D) and anchor(A). It will utilize a pen plotter machine to draw, write, and digitize visuals. Throughout the workshop process, digital media and analog tools are convergently utilized, participants will experiment the boundary between technologie and expressions.